One spine, five programmes
Cultural Affairs is the house. It brings together five companies grown from one practice — carving away the surface to reveal what a city remembers — and works with art and culture as vehicles of change for institutions, brands and cities. Each company runs its own programme under its own name; the house carries the shared spine of production, curation and care that delivers all of them.

The practice
The core of the house — Alexandre Farto's practice of carving portraits and memory from surfaces, from the walls of Lisbon to the Pyramids of Giza and the Grand Paris Express.

Doors of Cairo
Forever Is Now · Pyramids of Giza · 2025
Strates Urbaines
Gare d'Orly · Grand Paris Express · 2024
Art Reef
off Albufeira · EDP Foundation · 2023
Substratum
UNESCO Headquarters · Paris · 2023A monumental bas-relief that entered the UNESCO Art Collection. · José Pando Lucas

House of Nassr
Al Nassr × Cristiano Ronaldo · Riyadh · 2025
Netflix × Vhils
Setúbal · 2025 · NetflixA portrait mural revealed by controlled explosion in a deactivated Setúbal warehouse — the faces of Netflix's January 2025 slate, from The Night Agent to Back in Action. · Expanding Roots
From Marvila, outward
The world's underground, on one Lisbon roster — gallery, public-art programme and editions house.

Ten years of cultural gravity
The urban-culture festival curated by Vhils — 16 editions incl. satellite showcases, turning ten in September 2026.

14,928 spectators
Palácio Pimenta · Lisbon · 2024
Bairros
Year-round community programme · since 2020The festival's permanent civic arm — community murals and workshops across Lisbon's bairros. · Inês Leote

The artistic peak
Panorâmico de Monsanto · Lisbon · 2019
The defining move
Panorâmico de Monsanto · Lisbon · 2018Digital, made physical
The phygital gallery in Marvila — generative, AI and blockchain-native art taking material form.
The tile,
broken open
Contemporary azulejo handed to artists as a canvas — handcrafted in Portugal, from the Barreiro atelier.
From one wall,
a house
It starts in 2005, on the walls of Lisbon. Alexandre Farto — Vhils, raised across the river in Seixal — begins carving instead of painting: removing plaster, brick and billboard layers to reveal the faces and memory beneath. The practice becomes known as urban archaeology, and the surfaces of a changing city become its material.
In 2010 the studio becomes operational, and in the same year Farto presents gallery owner Vera Cortês with the Underdogs project — a founding group show of ten Portuguese graffiti-rooted artists. By 2013 Underdogs has its own gallery in Marvila; by 2016 Festival Iminente stages its first edition in Oeiras, taking the culture the walls came from and giving it a stage.
By the end of the decade the pieces consolidate: Farto brings the team together in Lisbon as Cultural Affairs, repositioning the gallery and the festival inside one house. The house then keeps building at its own pace — Commotion at the Council of the European Union in 2021, the Eterno gallery opening its Marvila doors in May 2025, Clay taking the Portuguese tile to artists' hands from the Barreiro atelier.
Today the house is around fifty people in Lisbon, five companies and one shared production spine — with Festival Iminente turning ten in September 2026. The businesses exist to protect the practice, never to replace it.
2005 → 2026
One conversation reaches the whole house.
One point of contact carries it across all five companies.
- Museum & institutional commissions public art, exhibitions, loans
- Brand partnerships campaigns, editions, art programmes
- Public-art & city programmes
- Hotels, resorts & developments
- Collector & editions enquiries
- Press & media










